Aspects of Independent Publishing: Part Two - MetaData
MetaData: the New Dewey-Decimal System
This term is new to me. It was first coined in 1968, but
it’s new to me. It’s been haunting me for the last six months of my life,
stalking me, hiding in dark corners pretending to be innocent…
It occurred to me that I should know what this term means. I
have, after all, spent most of my entire working life shuffling data through
data systems. Somehow, the term never came up.
Until I started research on how to self-publish.
This innocuous term is EVERYWHERE now. Websites brandish the
term like it means something, and if one is “in-the-know”, then one would
understand and if one has to ask, then one doesn’t need to know.
But you know me. I asked. I probably started some wildfires
on the internet because the question came up. Some coglet somewhere broke its
soldered bond, turned inside out, and then exploded.
Shel, how could you possibly be in the 21st century
and
NOT know what metadata is?
Eh, I'm not sure anybody really knows what
metadata is. The best answer I ever got from people “in the know” was that it’s
data about data. That’s nicely non-specific. But yet, the term exists and
appears to be what my dad would label: an answer for which there was never a
question, like laboradoodles and those fuzzy hats people insist on putting on
toilet seats.
Why, Shel, do you bring up this topic if you find it so
ridiculous?
Because even though it’s a new-to-me term, it’s not a
new-to-me concept. I harken back to the days of library catalog drawers and
those magical little file-cards that helped me find the book I was looking for.
You remember those days too don’t you? The days of the Dewey Decimal system? No?
Lie to me and say you do anyway. Just so I don’t feel quite so old.
The data-about-data is important, don’t get me wrong.
You want a book off the library shelf? You don’t have to go to the drawer to
look it up. Libraries are wonderfully accommodating in that you can find the
Fiction section and peruse alphabetically through the shelves until you find
the book you need or want.
Easy-peasy.
Same scenario applies to everything in
life. The end-consumer just wants the new-fangled-jelly-fruit. The end-consumer
doesn’t need to know, doesn’t care to know, the launch warehouse, the shipping
manifest, the alien-abduction insurance number, or the size tires on the
ox-cart that harvested said jelly-fruit off of the mountain. This sort of
information is valuable to the market personnel who need to quantify the
jelly-fruit, so they can better source a supplier, better display the product,
better pair it with a complementing wine.
But where the Dewey Decimal System doesn’t change, the
metadata does. It is a fluid term. The metadata at one site isn’t necessarily
comprised of the same data from a different site.
How does metadata affect the independent publishing
industry?
The same way it does the traditional publishing industry.
The copyright page on the book contains data about the data in your book, but
isn’t necessary to the story of the book. The front matter, the back matter…this
is all metadata of one degree or another. The Bowker ISBN registry will ask you
for the metadata behind the process of the publishing of your book, like the
names of the publisher, author, and book. Expected right? But it also
encompasses the where, when, and how of the sales information. What is the
scope of your right to publish? What are the dimensions of the book? The
packaging? Is it part of a volume set, or a series? All important information
that you as the publisher and marketer need to know in order to bring your book
to the end-consumer who wants to read it.
Do your readers care how you published it? The packaging
size? The return policy? Probably not. Even you as the author probably don’t
really care a whole lot. But you as the publisher, the seller, the small
business book distributer should.
My suggestion regarding your book metadata is this: copy
down somewhere the information you provide to Copyright Office and/or to the
ISBN distributer. Keep it as detailed as possible and as close as possible.
Why? Because KDP, Smashwords, B&N, Kobo, they all want this information to
a certain degree. The more consistent you keep your information, the less
likely there is to be confusion during the process, and the more likely your
book will reach your reader’s hands without an act of the Universe aligning the
stars together.
As with other posts in this quirky series, if you have other questions of a non-legal nature about publishing independently, or if you would like a cheer squad to help you walk through the process, feel free to ask me. I’m willing to help where I can. If it takes a village to raise a child, why not a community to publish a book?
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